I work for the New Media division of Boston University's Creative Services where I try to make the BU WordPress CMS more flexible for designers and easier to use for content editors. I compose music that often incorporates technology and recorded sounds, and I am the co-director of the new music organization Amp.
@gcorne on Twitter
Two friends on @mediatemple grid service had scripts injected into wp_posts. A 3rd had custom db prefixes and was not impacted. #wordpress on Wed Jul 28
If you use Safari, disable autofill. http://jeremiahgrossman.blogspot.com/2010/07/i-know-who-your-name-where-you-work-and.html on Thu Jul 22
Nice. RT @AtDdev: Common English mistakes taken from television shows. Great post. http://wp.me/pZvqt-n on Tue Jul 20
Starbucks needs to work on the reliability of their new free internet. I am 0/2. on Tue Jul 20
A theme's functions.php file is executed early on during every request (including admin) allowing a theme to transform WordPress. #thesiswp on Fri Jul 16
@malakhi Nice work, Matt. Big improvement. Hopefully, working with me wasn't too painful. on Wed Jun 30
@jimbojsb @kathrynocity Congratulations! on Sat Jun 26
Boston Premiere of Opera 3 x 3 = ∞
Juventas Music ends their 2009-2010 season with four performances of 3 x 3 = ∞, an opera by Peter Gilbert and Karola Obermüller. The score includes an electroacoustic component that uses Max/MSP, which I am working with the ensemble to realize.
Synopsis
Reproduced from Peter's website.3 x 3 = ∞ explores the human cost of genocide as seen through hindsight. On an otherwise ordinary day, a researcher (Frau A) is stunned when a tinnitus in her ear morphs into a mysterious message. The message seems to be connected to an image of three people and it tells her that she can help explain why these people have disappeared, that she can bring the truth to light and see justice served.
As she investigates the human-rights catastrophe surrounding their tragedy, voices from the past take on a life of their own and begin to intertwine with repressed memories of her own. The deeper she probes, the more personally she seems to be involved. Is she losing her grip on reality or was she actually there? What are the implications if she is a survivor? Is she guilty of allowing evils to unfold?
Tina Hartmann's libretto weaves a mysterious triangle of victims, perpetrators and survivors. At its center, a lost woman struggles to reconcile the past with the present and to answer the question, how does one live on? A reporter researching missing people from the Holocaust becomes so consumed by history that she begins to imagine she herself was involved. Is she losing her grip on reality or was she actually there?
Thursday May 20 – 8pm
Friday, May 21 – 8pm
Saturday, May 22 – 8pm
Sunday, May 23 – 3pm
Cambridge YMCA Theater
820 Massachusetts Ave (3 blocks West of Central Square)
Cambridge, Massachusetts